MODERN SOUL and R'n'B REVIEWS
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The Persuaders – Made to be loved
Amar Khalil- Where ther’s a wll
there’s a way
Teddy Houston – Are you ready
BC Candyman – Love Letters Michael Roach – I Betcha Rachael Calladine – Life Love &
Gossip Gum Drop – Hi Falutin’ Foreign Beggars ft Ohno &
Dubbledge – Slow Broiled Ilk Mocky ft Feist – Fightin away the
tears Black I – For you Steve Wallace – Come with tha Real
Chuck Mills – Thank you
Da Juan – Chapter One
Meli’sa Morgan - I remember
Natural Selection – Come on over
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Demetrie Doiron – Closer
Temika Moore – Moment of Truth
Temika Moore – Doing Just Fine
Jeff Hendrick – Soul CelebrationMike Hammond
Costie Payne – Far From Perfect
Jazzhole – Poets WalkDays Ahead – Turning Point
Rhythm Republic – Soul Congregation Rising
Adam Falcon – Piece of MineMaya Azucena - Acoustic Chandlar – Strong Emotion
Dezz – Spend the night
Introducing Ty Morgan Dexter Myers – Rocketlove34
Ingar Brown – Words and Beats
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The
Persuaders – Made to be loved – http://www.itssoultime.com
Info: -Richard Poindexter was born in the
nation’s capital of Washington D.C and raised in Newport News, Virginia. He and
his brother Bobby sang locally with groups such as The Swans, The Silver Moon Gospel
Quintet and The Gems, with whom he first performed at New York’s famous Apollo
Theatre. After graduating from Washington Carver High School, The Poindexter
Brothers headed for the Big Apple hoping to find the streets paved with gold
and to establish a successful career in the music business primarily as
writers, arrangers and producers.
Amongst their catalogue of early work they penned and produced stand-out soul
gems such as “Hypnotized” and “I’ll Be Sweeter” for Linda Jones, “She’s A Fox”
for The Icemen (featuring Jimi Hendrix on guitar), “I Dig Your Act” for The
O’Jays, and “Baby, Baby Please” for Timothy Wilson. “Baby, Baby Please” was
first recorded however in 1965 by a New York vocal group called The Implements
which included a young man by the name of David Turner, now of The Persuaders
whose relationship with Richard Poindexter now stretches back some 40 years.
David was also first to record “Look Over Your Shoulder” as a member of The
Implements. This later became a hit record for The Escorts, another group on
George Kerr’s growing and successful roster at that time. Richard and Bobby
also recorded singles for Verve and Tuff as The Poindexter Brothers.
They formed The Persuaders primarily as a vehicle by which to showcase their
growing reputations as writers, producers and nurturers of talent. The
Persuaders were born out of another group called The Internationals that
included Douglas “Smokey“ Scott, Jimmy Barnes and Charles Stodghill on whom
they had already recorded “Too Sweet To Be Lonely” (The Poindexter Brothers
also recorded a version on The O’Jays for Bell) and “My Beautiful Philosophy”
for the D’Ore label. From a group called The Majestics, they acquired another
vocalist from Richard’s home city of Newport News, Virginia by the name of
Willie B.Holland.
The first album distributed by Atlantic and released on their own Win Or Lose
label was entitled “Thin Line Between Love And Hate’’ and was a break-out
success in both pop and soul markets. Aside from the now-classic title track,
it also provided hit singles in “Peace In The Valley of Love” and “Love's Gonna
Pack Up". The Persuaders run of success continued with their second album
release, albeit with a new line-up that included an exciting singer named Tommy
Hill. The album contained a cut called “Trying Girls Out” which although
popular on its initial release was to get a new lease of life more than 20
years later when Jay-Z and Kanye West used the track on the remix of “Girls,
Girls, Girls” for which Richard received a Platinum Disc. The hip-hop scene
also gave new life to “Love’s Gonna Pack Up” which Will Smith heavily sampled
the for the cut “Willow Is A Player” on 2002’s “Born To Reign” set.
The hits for The Persuaders slowed up as disco took hold but not before Richard
and Bobby provided the two best songs on the last Persuaders album release on
Calla in 1976 in the form of “Gambling On A Sure Shot” and “Trying To Love Two
Women”. Both cuts were produced by Norman Harris and have that distinctive
uptempo 70’s Philadelphia sound that was prevalent at the time and remain
hugely popular on the dance floors to this day.
From the late 60’s and throughout the 1970’s Richard also wrote and produced
Florence Ballard , The Manhattans, Dee Dee Warwick, Carl Hall, Pat Johnson, The
Topics (featuring one-time Persuader Charles Stodghill), Tony Mason and The
Young Gents. He also found his songs increasingly covered by artists ranging
from The Lost Generation, Bloodstone, David Hudson, The Escorts and Teena Marie
to the likes of H Town, The Pretenders and Annie Lennox, all of whom scored big
in the 80’s and 90’s with “Thin Line Between Love And Hate”. It also became the
basis for the story-line and title for a movie in 1996 starring Martin
Lawrence.
Around the same time, Richard and Tommy Hill formed a new set of Persuaders
featuring one-time stand-in Alexander Brown, who was first introduced to the
group by Douglas “Smokey” Scott, and David Turner who had first worked with
Richard as a member of The Implements back in the 60's. They regularly performed
on classic soul reviews throughout the United States and this continued until
Tommy’s sad and untimely death in 2002. It is all the more poignant therefore
that Willie B.Holland, the only surviving member of the group to appear on the
first two albums, agreed to appear on this CD. The album also introduces for
the very first time on record, the powerhouse vocals of the latest member to
join the group, Tony “Showtime” Riley who hails from Brooklyn, New York.
Richard Poindexter already has a place in soul music history from a career that
now stretches back some 40 years. It is also evident from the new compositions
that he wrote for "Made To Be Loved" that his special talent in being
able to craft songs with strong melodies and memorable lyrics never abandoned
him throughout some quiet and at times difficult years. The release of this CD
is an opportunity to appreciate once again the creativity of one of soul
music’s real unsung heroes and marks the start of a new and exciting chapter in
the history of The Persuaders.
The Persuaders are Richard Poindexter, Alexander Brown, David Turner and Tony
"Showtime" Riley.
Original songs by Richard Poindexter are published by Mr.P.Music(BMI)and
Persuaders Ltd.Inc (BMI).”
Review: - I find myself a little bit disappointed
by this album, maybe I expected too much because of the groups pedigree, my own
personal liking for male vocal grouips.
This feeling was probably enhanced because the first track A
Woman Was Made to Be Loved is a killer, superb vocals, great tempo
and feel.
After that the album contains some great vocal
pieces as you’d expect, but there’s something about the album that doesn’t hang
together quite right. For me that
is, but what do I know.
Never
Stop Loving You starts off as if its going to be a great track, the
lead is excellent, the opening bars leaves a great feeling of expectancy, but I
dunno some of the backing bits don’t seem to come in right. I think this track could be sooo
good. And that remains my feeling
throughout the rest I’m afraid.
Don't
Think I Won't Leave is my second favourite (after the first track) ,
a long and epic ballad built around the lead, excellent. What About You is a sultry ballad. All
Up in Your Love and
Mama are for example more uptempo but the Persuaders have always been known for
their ballads and the album consists mainly of them like The
Wedding Song, You're the Best Thing. I Don't Think So contains an excellent strained lead vocal.
Some great vocals on here, a couple of fine tracks, built on the classic old
skool soul days and when all said and done I still wish there was more of this.
Tracks: - 1. A
Woman Was Made to Be Loved, 2. Never
Stop Loving You, 3. Don't
Think I Won't Leave ,4. What About You, 5. All
Up in Your Love ,6. Mama
7. As One ,8. The
Wedding Song ,9. You're the Best Thing ,10. This Time Next Year, 11.
She's Mine, 12. I Don't Think So,
13. A House Is Not a Home, 14. Hypnotized ,15. All
the People
Amar
Khalil- Where ther’s a wll there’s a way www.amarkhalil.com.
Info: - welcome all to
the world of Amar Khalil. A hot new soulful R&B Inspirational Artist, From
the music mecca Oakland California. Amar has teamed up with one of today's
hottest young producer's, Jamie Hawkins. Son of the world's famous gospel
family Walter & Tramaine Hawkins.Also, husband and producer of Hit
recording artist Sunny Hawkins. We want to thank you 4 checking Amar Khalil
out. Enjoy!
"AMAR KHALIL"
Oakland, California native Amar Khalil has come into his own in 2005 debuting a
new album and musical artistry - a neo-soul, inspirational style that blends
classic R&B and a little gospel, a touch of funk and a modest bit of hip
hop with a whole lot of silky smooth soul. An accomplished singer who can
handle lead and background vocals and improvisation equally well, Amar is an
all-around talent as a songwriter, musician, dancer and actor. His rich vocal
blends generally favor a very lyrical and introspective rhythm and blues,
soulful approach reminiscent of his childhood favorites Donny Hathaway, the
Jackson 5 and Stevie Wonder. "...a fine blend of gospel, R&B and soul
that includes excellent original material"
Amar's debut album, Where There's A Will There's A Way, is wrought with a
smooth style and robust beats that make him a Bay Area favorite. His work
celebrates fine songwriting and boasts a flavorful, tantalizing sound that will
engage listeners with every riff and chorus. His silky tones continually
surprise listeners with just enough edge to keep them moving to the beat.
Without question, he is an artist who cannot be categorized in just one genre
as, just when you think you've discovered his niche; he switches directions
from contemporary to funk or R&B to hip hop-flavored gospel. With the 2005
release, Where There's A Will There's A Way, has already received wide acclaim
with plans to begin a US promotional tour in early 2006 < Where There's A
Will There's A Way > is an inspirational and classy debut from this
newcomer. This is only the first of many more to come.
A bonafide musical prodigy, Amar polished his strong vocal skills while touring
the world singing with his accomplished high school choir, "The
Castleers." He solidified his professional musical relationship with the
Bay Area music scene with repeat performances in the internationally acclaimed
San Francisco musical revue, "Beach Blanket Babylon" and
collaborations with some of the best and most successful entertainers in the
music industry including background vocals, choreography and touring with Con
Funk Shun member and successful solo artist, Michael Cooper and top female
group En Vogue. He has done session work with Foster/McElroy of 2-Tuff-Enuff
Productions, jazz saxophonist J. Spencer, Dwayne Wiggins of Tony Toni Toné,
Raphael Saadiq, rap artist Richie Rich and a host of other performers.
Amar has played clubs, concerts and festivals and has toured extensively
throughout the US, Canada, and Japan. Amar has been with the Tony's since 1997
and has recently completed an 18-month tour as lead vocalist of the
platinum-plus group, Tony Toni Toné, receiving rave reviews in Japan and the US
and appearances on the BET Soundstage, the House of Blues and many other
venues.
Amar's vocal magic and distinctive musical approach has continued to evolve and
these days, his tight harmonies and tasteful repertoire are winning over fans
across the country. "He has revealed himself as an eloquent interpreter of
time and emotions engaging listeners on each < Where There's A Will There's
A Way > track." For a preview of Amar's latest CD, release dates,
promotional appearances and touring plans, log onto www.amarkhalil.com.
Review: - Don’t usually take too much notice
of intro’s Where there's a Will there's a Way - Intro but when you hear this one, and you
know that Jamie Hawkins has something to do with it, you become extremely
optmistic, and in this case not disappointed.
Higher
is upbeat sweet voiced, catchy, mildly funky and inspirational. I See
You is another strongly catchy and infectious track. Thank
You has some interesting things going on in its instrumentation, but
again there is something extremely likeable in the vocals, the sweetness, apart
from being heartfelt the lyrics don’t have much going for it on this one.
Sunny
Day has been getting big plays in recent weeks in the UK, a midtempo
feel good record of optimism.
Can't Stay Away, again driven, by the message, more powerful on the
beats. Solitary is the track that
is doing it for me, catchy, strong lyrics. Quickly brings it right down into a georgeous
ballad.
All of the full length cuts are strong, sweet
vocals, excellently constructed, gospel driven and one for repeat plays. I wish
this young talent well.
Tracks: -1. Where
there's a Will there's a Way - Intro ,2. Higher
,3. I
See You ,4. Thank You ,5. Prayer
4 Daddy ( Jalani & Jalen ) ,6. Sunny
Day ,7. Where there's a Will there's a Way – Interlude ,8. Can't
Stay Away ,9. Solitary ,10. Quickly ,11. Prayer 4 Daddy ( Jalani & Jalen
) Out - tro
Teddy
Houston – Are you ready www.teddyhouston.com
Info: - What is most impressive about new,
much sought after vocalist Teddy Houston is his uncanny ability to reach people
through his music. His unique delivery of soulful tunes like Could It Be? And
Just Hangin On gently persuades the listeners to look inward and realize their
deepest feelings.
The Port Arthur, Texas native grew up in a family in which music played an
integral role. “My mother had eclectic taste in music.” This early exposure and
its uplifting effect influenced Houston to take on an industry that is, at best
difficult to break into. But this gifted baritone remains focused, and is as
confident about his future as is his baritone crisp. His versatility is readily
evident in his rendition of old school, contemporary, and gospel; sweetened
with a twist of hip-hop flavor.
While music lovers familiar with his music compare him to the late great Barry
White and Arthur Prysock, Houston remains grounded. “I am an optimist who wants
to touch, uplift, and motivate people by communicating with them through music;
the universal language”. His long awaited CD contains smooth ballads as well as
infectious dance tracks, including the hard hitting Revolving Door, Let’s
Dance, and You and I, and the alluring title cut, Are You Ready?
Houston and his brother John write and co-produce all their lyrics. He credits
John with being the “core” of all his musical ventures. “John is my musical
ambassador. He facilitates collaborations with other entertainers in the
industry and is always thinking forward to our next project”.
Teddy Houston believes that we exist to encourage, affirm and serve one
another. “God has commissioned us to do so and provided the tools with which to
accomplish it. My tool is my music”.
Bio Written by Duane Wilkins Copyright 2006”
Review: - Some great tunes on here from the
strong voiced teddy Houston, from the opening Just
Hangin On which is infectious in the chorus, above the excellent
deep vocals and some great instrumentation.
Revolving Door picks it up strong bass line, guitar, great
interplay on the vocals, with Sissy peoples. You
and I Remix is heading towards, or reminds me of, deep vocalled
gospel house (though its not a house track in this form), but it doesn’t quite
get there for me. Are
You Ready is a bluesy moody duet. Dreamworld is a slow ballad that builds in a
gospel fashion, particularly the church keys.
Let's Dance is as funky as it gets, an upbeat goodtime tune,
two mixes on show Let's Dance Extended. Could
It Be starts as a spoken word but grows into a very strong piece indeed.
You and I is midtempo, funky, gospel overtones, sounding a
bit 80’s maybe but one of my favourite cuts. Just Be You is a simple piano led ballad, , like
a gospel Let it be, maybe?, with
Sissy on lead, but also containing some strong vocals from teddy.
Some excellent vocal mements for those that
like a deep and soulful baritone.
Tracks: -1. Just
Hangin On, 2. Revolving Door, 3. You
and I Remix, 4. Are
You Ready, 5. Dreamworld ,6. Let's
Dance, 7. Could It Be ,8. You
and I ,9. Let's Dance Extended, 10. Just
Be You ,11. Precious Lord
BC Candyman
– Love Letters http://www.bcswangmusic.com/
Info: - "Are you craving the sweetness from
love? Then let the Candyman help you get in the mood with these strong love
ballads. You can't go wrong. Let B.C. get the vibe right with this music -
guiding you through a night of love and romance." - B.C.
In every generation, a singer emerges who seamlessly blends sensuality and
sensitivity into a singular persona. Today, B.C. is that man. Don't be quick to
place him in a category with Ginuwine, Tank and Usher just because of his looks
and physique. B.C.'s sensual masculinity and smooth vocals set him apart from
all the rest. B.C. expresses his innermost feelings through his lyrics, staying
in tune with the needs, wants and desires of women. "I want my music to
set the mood for romance and love making," he states.
As one of seven children in a musically oriented family, B.C. developed an
ardent love for music that determined his destiny. Influenced by the early days
of Prince and R.Kelly, B.C.'s career in music didn't begin n earnest until high
school. Over the years, B.C. has endured more than his share of disappointment
- from the ill management of his first vocal quartet IV Xample in `94 to his
solo debut on Red Ant Records in `99 when B.C. got caught in the crossfire of a
corporate upheaval. Sadly, both albums were neglected. "I've learned a lot
in the past few years, both creatively and on a business level," B.C.
recalls. Though this was all traumatic, the singer/songwriter didn't let it
diminish what he was brought into this world to do. "You never know what's
around the corner for you. The Lord has his own plan and you have to let it
ride out."
This time around, B.C. re-introduces his long-awaited sophomore CD, Candyman,
which he primarily wrote and produced himself except for "You're Always
With Me" (produced and written by Runni Rae and Gen Ruben),
"Old-Fashioned Love Letter" (co-penned with Jeff Cruthers) and
"Where Is the Love" (co-written with Ron Harris).
This ambitious collection of 12 tracks is a continuation of B.C.'s musical
explorations that evoke thought and emotion, stressing the things that matter
most in relationships. "There are so many distractions right now and a lot
of changes taking place," he explains. "Many songs have moved away
from the things that are still important in a relationship: honesty, communication
and respect." B.C. makes music that is deeply personal, yet universal.
"Most of my songs are my own life, but I also get inspired by
everything...you...me...everyone. I want people to grow with this CD and I want
to bridge the gap that's missing in R&B music today."
Candyman is B.C.'s most accomplished and most accessible work yet. The opening
song and title track, "Candyman," will leave lovers fantasizing,
followed closely by the sexy, upbeat "Sugar Daddy." "Where Is
the Love" is a reaffirming love song about keeping your word and being
true to your heart. It moves on to an exhilarating song of new love, titled
"My Girl," then the beautiful, heart-filling "You're Always With
Me."
Just as B.C. gets smooth and sensual, he can also get downright nasty on the
sex-you-down remix of "Why-O-Why," originally a single from his 1999
Solo project. Let the music and lyrics of "Let Me Count the Ways"
lead you into a night of passion where nothing else matters in this world.
Overall this is a well-rounded love album with a pinch of different flavors in
"Let's Simplify" and the reggae-party feel of "Then They
Come" (featuring special guest, Screwface).
B.C.'s otherwise smooth and romantic Candyman CD yet ends with the highly
motivated "Paypadays," a song that all artists can relate to at any
point in their career. (January,
2005)
Review – Wow, there are a couple of slow jams
to die for on here, Candyman and Suga Daddy certainly create a mood, sparse
beats but heavy prominent vocals – two great tracks. Simplify , produced & written by: B. Chevis, is more upbeat,
with prominent beat, will find a home in an R’n’B or Soul room in the UK. Where is the love, produced by: Ron
Harris, written by B. Chevis & Ron Harris, straight out of the Isleys,
another love ballad, good but not quite as strong as the earlier two.
Creepin , My Girl, keeps the pace down,
variations on a theme, stretching the vocals some and wringing out all that
there is in relationships. Let me count ,produced R written by: B. Chevis, has
something about the old skool in its construction.
Then they come produced & written
by: B. Chevis (F/ Screwface), takes a different direction, feel good, upbeat,
guest dancehall rap by Screface, one for the dancehalls. Then we wide down, back in familiar
territory with Old fashioned loveletter,
Your
Always With Me produced by: Gen Ruben, written by Runni Rae &
Gen Ruben, Why o Why.
Certainly strong in the ballad territory, the
later tracks are fine but it is the first two that I find more contemporary,and
more fitting for todays marketplace.
Michael
Roach – I Betcha www.michaelroach.com
Update Sept
06 - Just to say that this album
now has backing, has been repackaged and released properly through Michael’s
Stelle Records – available from www.stellarecords.com
or www.michaelroachband.com One
track Hank Ballards Lets go has been reworked from the original below. Look out
for the Michael Roach Band on the road
Info: -Michael Roach, one of thirteen children born to Ted and Sadie
Roach of Washington, D.C., USA, sings and plays guitar in an East Coast style
of blues that dates back to the 1920s. After spending several years learning
directly from such well known figures as John Jackson, John Cephas and Jerry
Ricks, Michael Roach has developed his own style and is now an exceptional
performer. He interacts with his audience and he entertains as he plays.
Over the past 20 years, Michael has conducted numerous workshops
throughout the USA and Europe. As a cultural arts performer, Michael has
promoted African-American culture through the use of blues music. He has
lectured for the Smithsonian Institute (USA), Oxford University (UK) and more
recently at the University of Metz (France). In July 2004, he was
involved in the organization of a conference held at the University of
Gloucestershire (UK) called "Overseas Blues - European Perspectives on
African American Music". He is the founder of the European Blues
Association and serves as its Development Officer, Newsletter Editor, Director
and Guitar Instructor for the organizations annual Blues Week 2000 - 2005
programme (a week of lectures, guitar, harmonica, piano/keyboards and vocals
tuition) at Exeter University (2000/2004) and the University of Northampton
(2005). Michael also presented "Deep Blue", a three part series
on blues music featured on BBC Radio 4 in March 2003. It is Michael's
communication skills together with his musicianship that has enabled him to
bring about a greater understanding of blues music and the Black experience.
Review – Michael is now a leading light on the
UK Blues scene from his acoustic Blues performances, his knowledge, his tuition
and his involvement with the European Blues Association and the Archive of
African American Music. Also head of Stella records.
This forthcoming release therefore represents
a departure, into the realms of Southern Deep Soul which will be a precursor to
a forthcoming tour with PP Arnold………..and it suits him well, and is a well
produced romp through Sixties Soul.
The instrumentation and backing is First Class and prusumably made up
with a strong representation from Michael’s Blues contacts.
Downtrodden Woman is a strong opener, strong
vocals excellent backing. I Betcha
is mellower sweeter on the guitar and vocals too, and one of the best for me,
the way the horns hold back and then hit home, and then the organ fills in,
superb track. Baby No No No is
fastpaced and more big band. Over
and Over brings the blues back in.
Back up North now for the rendition of People
Get Ready, nice choice of song, nice sax break but doesn’t work as well as some
of the others. By contrast, maybe the stronger Blues influences, I pity the
Fool works much better. Every
track has roots in sixties soul but nearly every one offers something different,
an I would guess that every track means something different and equally strong
to Michael. Say the wrong thing
for example evokes an image within me, maybe of the thoughtful emotive
interlude in a late late sixties soundtrack.
She Said is probably the strongest vocally as
he gets inside the lyrics.
Straight Up is the funkiest with heavy Blues style vocal, and some funky
horns. Three Long Years is pretty
much spoken , a standard Blues or Southern Style lyric overa fastpaced
backbeat. Thrill on the Hill rocks
into the sunset.
I hope that the album in this direction does
come out and that the tour does happen as Michael has much to offer in this
direction.
Rachael
Calladine – Life Love & Gossip www.rachaelcalladine.com
www.kwerk.net
Rachael began singing professionally at the age of 17 with local
dixieland jazz groups and an 18-piece big band. This baptism of fire gave her a
wide repertoire of jazz material and she soon started writing original
material, which in turn led to a broadening out of Rachael’s taste and a move
into more soul-based writing and performing.
A short spell working as a nurse left her with a desire to gain a
wider experience of life and Rachael joined the Police in her early 20s. But
the lure of the stage was too strong, and Rachael left to take up a
professional singing career. A move to London and the resulting gigs on the
capital’s jazz circuit led to a recording deal in Amsterdam, where she recorded
an album in 1996. “Unfortunately the album was never released, but it was a
great learning experience in studio recording technique” says Rachael.
Returning to London, Rachael began to develop a healthy & loyal following
on the live jazz circuit throughout the UK.
At a gig in London’s 606 jazz club, she was approached by
legendary producer Narada Michael Walden, which resulted in a recording
session, and the beginning of a friendship which continues today. In 1999 she
became a member of a gospel choir and sang backing vocals for the Spice Girls
last UK tour. Songwriting experiments continued, and in 2002 the song “La
La Li” was licensed by influential DJs Gilles Peterson, for his “Worldwide
Vol. 2” compilation, and Germany’s Rainer Truby, for his “Glucklich
Vol. 5” album, and subsequently became a dancefloor favourite of jazz DJs
throughout the world.
Rachael’s growing reputation led to a week long residency at
Ronnie Scotts jazz club in Soho, London in July 2002, where she has since
appeared on an annual basis. In September 2004 she joined Geoff Wilkinson’s
hip-hop/jazz group Us3 and went on to perform over 50 gigs in 14 countries with
them over the next twelve months. This led to writing and recording sessions in
Geoff’s East London studio, and Rachael’s debut album “Life,
Love and Gossip” was born. Co-writing with a tight funky
team of keyboard players Neil Angilley (Snowboy, Down To The Bone, Us3), Jim
Watson (Incognito, Zero 7, Katie Melua) and bass player Level Neville Malcolm
(Us3, Real People) gave the album an intimate warm and soulful feeling
throughout.
Away from music, Rachael’s interests include yoga, running, and
weight training. She has a black belt in the martial art of Sanchou, and taught
weekly classes in London for 2 years.
In Rachael’s own words:- “I have been waiting a long time to make this album. I
didn’t want to make a record revisiting jazz standards as there are already
many great performances. I wanted to make some new music, and although I have a
background in jazz, I wanted to draw on my large collection of influences from
Sarah Vaughan, George Benson, Joyce, and Michael Jackson to rock, classical and
Brazilian music. I want to make good quality music that makes people feel good,
but can also prompt thought and emotion”.
Review : - Rachael and geoff have constructed a well crafted album
that will appeal to new fans, fans of US3 and should break through to the Soul
contingent and markets beyond. Sunshine [LISTEN] is a melodic easy
going, feel good, midtempo, slightly retro offering. Higher [LISTEN]
is a more sultry ballad against a bckdrop of some nice beats. Ain’t Got Enough Love [LISTEN]
has a funkier bassline containing what is a recurring theme in a lot of tracks,
a hook that you can latch onto and sticks. Changes [LISTEN]
again with hook, harder vocals this time and funky keyboards.
The album after four tracks is kicking
alone, with some soulful vocals, jazz and funk tinges, yet moody and
contemporary. I Believe [LISTEN] continues in a
high view with a downbeat chilled out ballad. Through Your Eyes [LISTEN]
is great instrumentally but it is sufficiently laid back to let some strong
vocals come through. Nothing wrong
with the next few tracks either except that they have to live against some very
strong earlier cuts, With You [LISTEN], the more upbeat
Picking You Up [LISTEN],
the finger pointing Liar [LISTEN].
Be Free [LISTEN] is worthy of
mention, more of a neo soul feel to the vocal delivery. Let Him Go [LISTEN] has a jazzier delivery but still with a
retro soul feel. Concludes with some strong beats and sultry vocals, though I
felt a bit messy, on Fantasy [LISTEN]
A very solid album, recommended.
Tracks: -01. Sunshine [LISTEN], 02. Higher [LISTEN] ,03. Ain’t Got
Enough Love [LISTEN]
,04. Changes [LISTEN],
05. I Believe [LISTEN]
, 06. Through Your Eyes [LISTEN],
07. With You [LISTEN]
,08. Picking You Up [LISTEN]
,09. Liar [LISTEN],
10. Be Free [LISTEN],
11. Let Him Go [LISTEN],
12. Fantasy [LISTEN]
Gum Drop –
Hi Falutin’ http://www.alteredvibes.com/
Release date 3 April 2006 - Gum Drop drop the
deep funk with the raw soul with nu science in a vintage style. Randolph Matthews
(voice) and Rob Mac (instruments and production) experiment with the sonics
with a little help from fellow studio residents Lucy Wilkins (violin) and Matt
Smooth (drums) on a mission to save the world from anaesthetized saccharine
soul ...
“Despite being an integral part of the UK hip
hop scene, musical chameleon Rob Mac has happily spread himself beyond the
genre, taking in folk, soul, jazz and even rock in his various projects in the
past decade. Having gained notoriety as co-promoter of the infamous Scratch
club nights, with long time friend Matt Smooth, the pair decided to roll up
their sleeves, hit the studio and commence a myriad of collaborations, most of
which grew from their live outfit, Speeka. Since then the fertile duo have
produced a number of offspring, including downbeat combo Jumbonics (for Tru
Thoughts), Clean, The How, Imperial, and then finally production for poet and
raconteur, Roger Robinson.
The Roger Robinson connection introduced Rob Mac to the Altered Vibes family.
As a fan of the label’s output and open-minded musical outlook, it seemed the
perfect place to represent what is, in essence, Rob’s first solo project: Gum
Drop.”
I like this, mellow groovy beats and a couple
of hot tracks, It’s on is the one for me, which is funk driven a la Sly, moody
with Norman Anderson on vocals.
An album laden with mellow beats in general,
but picks up real funky on the more upbeat cuts like Step by Step which
features Jason Todd of Def Harmonic. Generally its current but full of retro
beats and some cool jazz. Keeps on Burning 2 has a groove right out of
funkadelics One Nation.
The album features a whole bunch of London’s
finest, instrumentally good, conceptually good, the vibe is good, a refreshing
album. Randolph Matthews features on a couple of tracks, coming up for air
being the best.
Foreign
Beggars ft Ohno & Dubbledge – Slow Broiled Ilk http://www.foreignbeggars.com/
Release date 2 May 2006, a 2nd instalment
from their forthcoming albums. Slow Boiled ft Ohno is an electronic hip hop
item. Heavy bass attack destined to do some dancehall damage. Backdraught, totally different, more
thoughtful and the best track in my view, futuristic in approach and abstract
rhyming patterns. Hot Plate is super fast, too fast for me really. The first two tracks are alright but
probably outside the limits for the soul consciousness readers and for the
broader minded only.
Mocky ft
Feist – Fightin away the tears www.mockyrecordings.com
Release date 3 April 2006, Canadian born Mocky
has worked with the likes of Jamie Liddell and Taylor Savvy, here teaming up
with Leslie Feist. Mocky is known for his soulful, cross genre music and clue d
up lyrics, and gigs wil be forthcoming.
This is a rather twee pop ditty, on a moderate jazzy tip. Bit too
lightweight for me and vocals not strong enough, maybe could be hardened up in
a mix
Black I –
For you www.blackimusic.com
www.pwientertainment.com
Info: BLACK I is preparing for the release of
their debut CD, tentatively titled "PLEASURE"É.this long-awaited
album took over a year to complete, and is the creative collaboration of San
Francisco bay-area vocalist/drummer ERIC BROWN and New York producer/bassist
MICHAEL GRIOT. A New York area recordĐrelease party is tentatively scheduled
for late fall, with the actual album dropping shortly after. The project also
features many notable guests; including inspired contributions by Teddy
Crockett, Russell Gunn, Bruce Williams, Nick Rolfe, Michel Hill, Shantena
Fleming, Kenny Whitehead, and an inspired guest vocal appearance by UK soul
legend Omar!
In 2002, ERIC BROWN moved to NYC from the Bay area, and hit New York City's
live music scene in venues like the VILLAGE UNDERGROUND and JOEŐS PUB... On an
R&B/gospel gig, he met bassist MICHAEL GRIOT; an independent producer, and
busy tour musician...almost immediately, they began writing and recording at
GRIOTŐS studio (ATTICA). They quickly became a highly-regarded "live"
rhythmn section while touring behind UK soul legend OMAR, and the stage was
set!!
"PLEASURE" is their highly-anticipated debut release from PWI
ENTERTAINMENT, scheduled here and abroad for FALL 2005...OMAR himself has
committed to backing vocals on at least one track; Grammy-nominated trumpeter
Russell Gunn(who also tours with C-Lo) rips on two songs, as well as a catchy
co-write and backing vocals by Philadelphia's own R&B royalty Kenny
Whitehead.
"BLACK I is our way to express our love of our influences", says
bassist Michael Griot, "through our instruments and our lyrics".
Comparisons run the gamut: from Prince to Maxwell...from Curtis Mayfield to
EWF..."we are basically doing up-tempo relationship songs on this
record".
...Eric Brown moves his drum set to the front of the stage, adjusts his vocal
mic and gives up a soulful rendition of "I Can't Make You Love Me" by
Bonnie Raitt; his delivery is reminiscent of the best of many great R&B
singers of the past...meanwhile, Griot's bass adventures and fearless musical
direction guide this ship to inspired musical destinations...
THIS IS DRUM & BASS...DONE LIVE AND DIRECT!!”
Review:- This arrived before my holiday and
got repeat plays on my journey, taken me a while to get back to the review for
which I apoligise- but there’s only me!
I have sensed quite a bit of Drum and Bass
influences, nuances and feel creeping into neo soul lately, I don’t treat this
with trepidation but I suspect a lot of UK soul might, lets wait and see.
However this is not necessarily overtly full on D&B, just the best bits, in
fact its quite mellow and definitely soulful, and I’m liking it more with each
listen.
please u is heavy on the bass, horns groove in
and out giving a jazzy feel, spokenish vocal yet catchy, excellent, been
playing this a lot. For you, again lots of beat, bit of their own style and
uniqueness is emerging, bit of Sly about it too. Puppy love is only an interlude but I mention it because it
is heavy on the Cello which is another interesting feature of these guys, or
Michael Griot more particularly.
Peace of mind is less D&B, more ballad,
still hits of sly but also curtis too, in fact theres a bunch of stuff in here,
church organ, steel guitar, female vocals, yet its not to complex at all. Pleasure is back to Drum and Bass, more
upbeat, bits of this and bits of that, it’s like Drum and Bass with Soul
keeping it in check (and not Drum and Bass getting lost on gimmicks and
electronic wizardry).
Sweet like the sun is like mellow D&B, in
ballad stylee. Family affair ft
Omar is a top cut, upbeat and one that the Uk could like with the beat and the
fact that it is Omar. No more is another upbeat track that the UK will go for
with some jazzy trumpets and persistent best.
A bit of a breath of fresh air about this,
like it a lot. I hear they’ve been
picked up by Teddy Crockett’s stable and I can see why, they fit perfectly into
that.
Steve Wallace – Come with tha Real www.stevewallacemusic.com
Info: - Steve Wallace is a brilliant musician,
a thoughtful songwriter, and an inspiring producer with a dynamic vocal
instrument with a broad range of expression. His music has a classic feel and
is also youthful and relevant to the present generation, spiritual and socially
conscious without being preachy. Often he is compared by others with the
legendary Stevie Wonder and Donnie Hathaway and as influences he also cites The
Roots, A Tribe Called Quest, DJ Premier, G. Puccini and L. V. Beethoven. With
his intoxicating energy and positive outlook on life, Steve Wallace is a needed
energy in our world and is definitely the next breakthrough artist on the music
scene.
"Steve's beats can mosdef get you Chicago stepping--while sensitive
melodies are a soundtrack for urban seduction." -GORDON CHAMBERS /Producer-Songwriter-Artist
"In music what sets an artist apart from his peers has to be their unique
style, their ability to convey their message so you can feel what they feel. To
accomplish this kind of feat it takes a lot of talent. One of the many things
that is striking about Steve Wallace is his vocal versatility. From the head
nodding title track (Come with the real) to the house groovy
"Goodbye", Steve's voice is right at home with any kind of
instrumentation. Steve Wallace sets himself apart from many of his peers with
his uncanny knack create fresh original grooves. Steve Wallace is the type of musical
mystic that will keep the nu-soul movement moving progressively forward. This
CD is just too damn good."
-AyeJay Da' Muzik Hunta' Spraggins * ayejay@arthausnyc.com www.arthausnyc.com
----------------------------------------------------------
The Vitals... Height: 6' 0" Weight: 180 Hair: Black Eyes: Brown Musical
Instruments: Piano Guitar Drums Bass
Performances: ***BB King Blues Club &
Grill with Martin Luther & Cody ChesnuTT / Crashmansion NYC*** Café Wha -
New York The Cutting Room- New York ESM Magazine - Artist Showcase , The
Roseland Ballroom - New York
Steve Wallace Contact info: Rick Edwards for D & R Entertainment.
347-423-1928 rick@makaveli-branded.com
www.stevewallacemusic.com stevewstudio@yahoo.com Media Inquiries Please contact: MABILI Kregg Ajamu for GRIOT
MUSICWORKS, LLC.:
kajamu@funkshunalentertainment.com & info@funkshunalentertainment.com
Review: - A recommended release from the Ambassador
of Urban Soul, Steve Wallace.
Steve a very interesting and talented guy from Chicago and now out of
New York. The album very much follows or sets its own direction, or Steve’s
direction, based on his own experiences. Will appeal to both an Urban and a
Soulful audience.
Come
with tha real! Kicks od in a catchy upbeat, instant style. I've
been searchin' is mellower, jazzier, great vocals and a track I’m
really feelin, maybe that’s what we’re all doing, maybe we all try to hard,
just let it happen. Forgetting
marketplaces, both US and Uk, styles and trends, this is my favourite piece.
Ventilation
is more in the neo soul category, in vocal delivery and lyric style. Another nice track. That's
how i know is a slow sweet ballad. Do u love me? Is catchy and a bit more upbeat, one of two
tracks recorded in Pasadena (as opposed to Brooklyn) with some nice samply bits
(which I’m trying to recognise) in the backing. Goodbye!* is instrumentally, vibes or something,
lightly drum and bass, horn sample, and also catchy vocally, lots going on but
not overpoweringly so. The jacket
song is also a top song, getting lots of interest, interesting personal lyric storyline.
i fell in love is a bittersweet, heartfel
ballad. To me is live and
acoustic,simple yet effective.
Don't u leave*(feat Scipio) has harder beats and the sweet vocals
contrast well with the harder beats and rap. The album mellows down with some
execellent ballads, all offering something different, live jazzy feel, piano,
excellent vocals - As u lie here... particularly with it’s deepness,
thoughtfulness and warmth is a top cut.
Calling on U closes in a bit more upbeat easystyle mood.
An album that builds and grows the more
attention you give to it and some seriously good tracks.
Tracks: -1. Intro (Tha Real), 2. Come
with tha real! ,3. I've
been searchin' ,4. Ventilation
,5. That's how i know, 6. Do u love me?* ,7. Goodbye!*
8. The jacket song ,9. i fell in love ,10. To me ,11. Don't u leave*(feat
Scipio) ,12. Captured/very well ,13. Wastin' my time ,14. As u lie here...
15. Calling on U, 16. YHWH outro
Demetrie Doiron – Closer
“I’ve always felt very connected to the
Urban/R&B contemporary rhythms.”
Born into a world of music, Demetrie Doiron first began singing and playing the
drums at a very early age for his church choir. In 1987, he co-wrote his first
song entitled Crazy with an up and coming R&B artist, Ryan Steele. In the
early 90s, Doiron accepted an internship at Pajamas Studios as a Studio
Engineer and learned much about all aspects of the industry. In his free time
he made some preliminary recordings at Sound Farm, Live Oaks, and Fantasy
Studios located in the Bay Area and worked diligently on bringing it all
together.
Doiron established his own studio, Protection Records, in 1995 with his good
friend, Marcus Gore, AKA Emgee. Together they wrote, arranged, and produced
several pieces.
Joining ASCAP (American Society of Composers, Authors and Publishers) in 1999,
Doiron sent on to establish Don Amechi Muzic publishing in 2000 and later
developed his own record label, DeMechi Music Group, in 2001.
In the fall of 2005 Doiron released his debut compilation, Closer. Individually
writing, producing, engineering, and arranging each song on this CD, he focuses
on the slower sounds of the R&B mainstream.
Doiron personally relates that Closer was inspired by the female relationships
that occurred throughout his life, focusing on the emotions involved in
breaking up and getting back together. He feels very passionately about his
work and believes that in all aspects of life there is music and it is through
these experiences that you essentially become more aware of your individual self.
You can purchase a copy of Closer at www.CDBaby.com or www.towerrecords.com. Doiron is
currently working on his new album, In This Fo Life, which will be released
soon.”
Before I start I would like to reiterate the
point that I have made elsewhere that the bar for independent soul music has
been raised over the last couple of years with some thoroughly professional and
exciting sets – see some of the pages of this site for some examples. I am hearing of individuals spending
well in excess of $10,000 and upto $20,000 funding individual products, maybe
more with some of the indie bands.
This is a serious personal outlay to recoup so product has to be top
notch to compete, maybe a sad but financially driven fact.
So for an albums put together on keys and
computers in a home studio has to be exceptional to break through. I like the sound of a lot of beats and
songs on this album but my overall impression is that it is the kind of album
that is just a lttle bit behind.
As stated above this album is driven by
personal experience and is commended for the storyline and lyrical content of
breking uo and getting back together, all very emotive and heartfelt. I find myself preferring the cuts with
raps because they give just that little bit more edge.
The best tracks for me are Don't
Playa Hate Say U Do and Do
That Thang and Love & Pain.
The next album is being worked on and I wish
Demetrie good luck with it.
Tracks: 1. Don't
Playa Hate, 2. Lock Down feat. Ironic, 3. Listen 2, 4. Never
Enuff, 5. Say U Do, 6. Closer, ,7. Pimpin 101, 8. Get
Some ,9. Phone Calls
10. It Ain't Going Down 11. You & I,12. Do
That Thang, 13. Love & Pain ,14. Free
15. Cold Blooded feat. ironic
Temika Moore – Moment of Truth www.temikamoore.com
“Temika's debut CD, Moment of Truth is a
musical journey into the soul of an awe-inspiring talent. The title is derived
from her personal journey to find peace and truth in her spiritual and
professional life. What better title to introduce the listener to an intimate
musical experience with Ms. Moore. Temika wants the listener to walk away with
a sense of empowerment as stated in the third track of this CD, "No longer
will I look for others to validate me, it's my life and I know what I want it
to be-I'm so glad I found peace of mind!" These offerings are deeply
personal and can be categorized as what she calls "so-jazz"-soulful
contemporary jazz inspired music.
Temika Moore grew up in Philadelphia, Pennsylvania perusing the family’s hi-fi
stereo’s record case and found her self listening to her mother’s Natalie Cole
and Earth Wind and Fire LP’s, grandpop’s 45’s of B.B King, grandmom’s Mahalia
Jackson and Shirley Caesar 8-tracks and her aunt’s Clark Sisters and Hawkins
Family albums. Growing up in a home with a southern-bred grandmother, it’s
probably expected that most singers sung their first measure in somebody’s
choir or gospel group. Well, you’re right. Temika’s no different in that
respect. However, the realization that she could actually sing is the
revelation.
Temika had her first solo at the age at 9 when the Baptist church she attended
in North Philadelphia decided to start a children’s choir. The choir’s first
public performance featured Temika’s rendition of the famous gospel hymn, Jesus
Loves Me as sung by Whitney Houston in the Body Guard. After receiving a
standing ovation and a request to perform in the church’s newly formed gospel
ensemble, little did Temika know this would be the first of many experiences in
her journey to become a performing artist and songwriter.
Temika was the youngest member of an all-adult Philadelphia quintet named,
Rejoice. The group toured various churches performing and building a following.
After the sudden illness and death of one of the group’s members, along with
creative differences, the group disbanded. Meanwhile, as Temika started to
become of age, and her musical interests became more diverse, she was making
plans to hone her craft. Temika notes, “When you’re in church, everyone will tell
you “sing baby...Amen, that girl has a voice” when their caught up in the
moment. But the test is when you can go back and listen to a recording of that
so-called awesome earth-shattering performance and still embrace what you heard
with the same passion. You really have to know that you have what it takes.”
Temika made the decision to apply for acceptance into the Philadelphia High
School for Creative and Performing Arts (CAPA) where she attended with fellow
industry classmates, Boyz II Men, Amel Larreuix, Fatin Danzler (Kindred), Black
Thought and ?uest Love (the Roots), Mark Nelson (Az Yet), Lizz Fields and
Christian McBride to name a few. While attending CAPA, Temika was afforded the
opportunity to perform for many prestigious events as part of the CAPA Concert
Choir. She has performed with the Philadelphia Orchestra under director,
Riccardo Mutti, Philadelphia Pops Orchestra under the direction of Peter Nero
performed with the All-City Choir, Mayoral Inauguration of Ed Rendell, ABC
Thanksgiving Day Parades, and a host of other notable venues. Temika was
classically trained under the direction of the late David King and J.Donald
Dumpson. Also, she was invited to join an all-female vocal quintet, initially
named Collage formed by Michael McCary of Boyz II Men. At the time, the group
was also being sought after by industry legend, Teddy Pendergrass. However,
neither arrangement came to fruition. Feeling the affects of disappointment of
a dream deferred and nearing graduation, Temika had to make a decision about
her life-to pursue music or forgo the dream and go to college. The decision was
made, and Temika decided to leave the group to attend college. Meanwhile,
Temika graduated 13th in her graduating class with honors and was voted “Best
Vocalist” that year with acceptance into the University of Maryland Eastern
Shore (UMES).
Temika initially applied to UMES as a Sociology/Pre-law major with intentions
of becoming an entertainment attorney. However, as with any true musician, the
call of music is always on your life no matter where you go, or how far you try
to run from it. One day Temika walked into the Ella Fitzgerald Performing Arts
Center on campus and headed directly for the piano room and started to sing.
The director of the performing arts department, Dr. Gerald Johnson came into
the room and asked who she was. The director smiled and said “I think we just
found our first Ella Fitzgerald Scholarship recipient.” This was extremely
timely and nothing but heavenly favor for Temika as she was still trying to
find a way to finance her college education even at that moment. Temika was
awarded and became the first recipient of the Ella Fitzgerald Music
Scholarship. This propelled Temika back into the musical life she left behind
in Philadelphia. At UMES, Temika learned to develop her sound and was
introduced to jazz greats like Ella Fitzgerald, Sarah Vaugh and Carmen McCrae
by jazz ensemble director and Trumpeter, Dr. Richard Lamkin. Temika states “I
enjoyed exploring music in a setting that was free of the traditional classical
vocal instruction where vocal coaches only respect one genre of music and all
others be damned. I was free to show expression, make faces, and it was okay to
work the often awkward transition between head and chest voice in my own way.”
After four years of study in preparation for the “real world,” Temika graduated
Magna Cum Laude and was recognized as the University’s Most Outstanding
Graduate armed with nothing more than faith and a tenacious will to succeed.
After attempts to pursue a “stable career” in the corporate sector with
ever-present threats of lay-offs, disclosed and undisclosed racism, learning to
navigate the stifling nature of corporate culture, along with the pressures of
managing a busy performance schedule, Temika gave up her spiritual fight and
decided to follow the musical calling on her life where she has performed as
the opening act or has shared the stage with Cassandra Wilson, Roy Ayers,
Marcus Johnson, Allyson Williams, Tony Terry, Selena Johnson, Melba Moore, Jean
Carne and Jennifer Holiday. Shortly after leaving her position in a prestigious
Washington, DC law firm, she decided to record her debut album, Moment of
Truth. Frustrated with the process of trying to secure producers and writers on
a shoe string budget and finding the right material for the project, Temika
picked up her laptop and started writing. “Moment of Truth was birthed out of
my journey to find my way,” says Temika. “There were a lot of personal
struggles that were going on in my life at the time. I felt very strongly that
there was more to life than what I had experienced.”
Temika Moore is among the many that have chosen to take the road more big label
artists want to travel by becoming an independent warrior who writes
manufactures, promotes and markets their music. Temika heads up Moore II Come
Entertainment, the umbrella company handling many of the business aspects for
Temika Moore, along with Pink Panna Music which serves as the publishing
company for Temika Moore’s music. Temika is determined to continue to make
music that is free from exploitation, political restraint and corporate
control. “I can work a 9-5 with a steady paycheck if I want to be controlled
and restrained, says the outspoken Temika Moore. If God gives us free will, who
is another human being to impose their will for my life?”
To hear and purchase music, see photos, inquire about bookings, or to simply
say hello, please visit www.temikamoore.com”
Review: - This is a late but brief review of
the debut album. It still sounds good and relevant though, particularly the
funky The World Don't Revolve Around You, strong vocals and
production. The version of Summertime
is also surprisingly individual and good.
Great sax work on the slow jazzy Peace
of Mind. With You is an
emotive ballad. Can't Give No Mo'
ups the pace into a funky get down with a neo feel. Everything Must Change is an exceptional jazz ballad that
builds and builds. I Love You
(enough to Set You Free), Testimony and A Woman all continue in a strong vein
and the quality doesn’t let up. Holding
On to You is an acoustic ballad.
A very good album that still sounds good some
4 years after release, and vocally very strong.
Tracks; -1. The World Don't Revolve Around You, 2. Summertime ,3.